SITU teams up with Brooklyn Solar Works to create Solar Canopy

SITU Studio has teamed up with Brooklyn Solar Works to develop the residential Solar Canopy – a modular rooftop structure that incorporates PV solar panels affixed to a lightweight, adjustable aluminum frame. Solar Canopy offers significant cost savings for homeowners — from federal and state tax credits, to an NYC tax abatement — Gaelen McKee President of BSW believes “now is the absolute best time to go solar.” According to US Green Buildings Council, buildings and homes in the US currently account for 60% of our country’s total electricity usage.  Switching to solar provides alternative power sources that decrease our dependency on fossil fuels and increase our use of renewable energy.

15_0607_brooklyn solar works_rendering_rk_forblogRendering of Solar Canopy

The Solar Canopy project is an exciting opportunity for us to work closely with our friends at Brooklyn Solar Works in the design and fabrication of the first prototype. Solar Canopy has the potential to be both replicable and customizable depending on roof size and structure as well as the particular solar capacities of the location. Ben Duarte, project manager at SITU Fabrication will walk us through the design process.

The first step is to survey the existing rooftop. In our collaboration with BSW we’re looking at applications at residential properties in existing Brooklyn neighborhoods and therefore must account for adjacent structures, foliage, roof penetrations and roof access – all of which play a role in the location and size of Solar Canopy. In addition, the Department of Buildings (DOB) requires a 6’ wide path of travel to the nearest stairway in compliance with the fire code, as well as a 9’ firefighter clearance height. We like to think of this as a 6’ wide x 9’ high volume that provides the minimum height and width for occupiable space beneath the canopy.

20150825_BSW_SULTON_DOB set_BG.3dmElevation drawing showing the minimum 9′ height requirement

The second design factor and major consideration is the material size and shape of the structure. Attachment to an existing roof structure presents certain limitations and unknown variables, so careful attention must be paid to the location of anchor points and any perforations into the existing building envelope. With these factors in mind, SITU set about designing a canopy that contains both fixed – replicable, standard components – while also offering site specific adjustments. Aluminum was chosen for its lightweight properties, a revision from the original proposal of using steel tubes and speedrail fittings.

Exploded axonometric of one pre-fabricated truss and rails.

Pre-fabricated aluminum metal trusses serve as beams to support the rails upon which the solar panels are attached, offering maximum ease of maintenance. The feet sleeve into the legs allowing height adjustability – up to 18 inches. The feet also have a cleft end with a central pivot hole that can be attached anywhere on the roofing rails. The panels come in standard sizes which determined the overall size and shape of the Solar Canopy structure – roof applications vary from 15 to 35 PV panels per canopy and have the capacity to supply most typical household electricity usage.

After nearly a year in development, the engineers of record calculated the weight of the structure on the roof, including maximum wind and snow loads. The canopy structure was approved and sent off to the DOB where it is currently waiting on city approval.

The first installation is set to be completed in a few weeks– check back for a project update!

SITU Research Launches SPEA Project

Bil In1

Image courtesy of SITU Research and Forensic Architecture.

SITU Research is pleased to announce the launch of Spatial Practice as Evidence and Advocacy (SPEA) – a project that will utilize spatial analysis and visualization in the service of human rights fact-finding and reporting. Mobilizing innovative applications of existing and emerging technologies, a primary goal of SPEA is to broaden the “tool kit” and culture of human rights work to include design as an integral component of legal and advocacy initiatives.

Made possible in part by the generous support of the John D. and  Catherine T. MacArthur Foundation and the Oak Foundation, SPEA will undertake applied casework with human rights organizations, news outlets, legal counsel, scientists, and researchers to generate reports targeted at synthesizing diverse forms of evidence into precise, coherent and compelling spatial narratives. Further, the SPEA project seeks not only to represent consequential data in the most effective way, but also to extend the impact of these often technical and prosaic findings through public-facing, interactive reports.

As a cross-disciplinary project, SPEA has a unique opportunity to bridge the gaps that traditionally separate and segment the fields of human rights and design. SPEA will build upon the long-form textual structure of traditional human rights reporting with the integration of spatio- visual content that can enrich the analysis of specific human rights violations. Work will focus on the collection and synthesis of disparate forms of evidence, both quantitative and qualitative, that may be gathered in a specific case (e.g., satellite imagery, video footage, the verbatim testimony of witnesses, munitions specifications, etc.) Over the next 22 months, SPEA will collaborate on a series of reports that will be made available to the public. Examples of other human rights cases that SITU Research has worked on can be found here.

Rethinking Brooklyn Museum’s Entry Experience

In January, SITU Studio was commissioned by the Brooklyn Museum to re-envision its entry sequence – incorporating flexible, modular interventions in the Glass Pavilion and Lobby space as part of a larger Bloomberg Connects initiative – a project that seeks to imagine new roles for technology to enhance visitor experience.

Working closely with the Museum, SITU has developed a collection comprised of individual components – from interactive hubs and ticket bars, to benches, security desks and improved signage, banners and stanchions (in collaboration with graphic design firm MTWTF) – that combine in inventive ways to offer optimal program support within Brooklyn Museum’s public lobby area.

mockupMock-up of power benches

The design of the suite incorporates a high degree of flexibility that allows for continuous reconfiguration. Casters facilitate smooth transport and storage while outlets embedded in benches provide power to charge mobile devices such as phones, cameras and tablets. One of the primary goals of the Museum’s Bloomberg Connects initiative is to cultivate increased engagement between Museum staff and visitors. The components of the suite play a key role in reinforcing and facilitating this goal but none more so than the “hub” which serves as a resource and a platform – both digital and physical — shared between museum staff and visitors sparking inquiry and conversation. The translation of the admission booth to ticket bar – opening up and welcoming in visitors upon arrival reinforces this initiative. Designed to aggregate and disaggregate the bar transforms rapidly depending on programmatic use.

2015 03 20 hub2 (1)Hub plan, section and elevations

SITU partnered with MTWTF to find ways for the architecture and graphic design to complement one another, as well as with Arup Transportation who further identified and underscored the relationship between furniture and graphic layout.

image 3Glass Pavilion and Lobby plan

The greatest ambition of this project is the transformation of Brooklyn Museum’s entry into a well-used, highly trafficked and truly successful public space. Over the coming weeks we will be fabricating the suite in our Brooklyn Navy Yards facility and posting progress frequently on Instagram and Facebook. Check back weekly to see progress as Bloomberg Connects comes to life.

_IMG_9131_sMockup of power bench for onsite testing

Brooklyn Artists Ball

SITU Studio was invited by the Brooklyn Museum to participate in this year’s Brooklyn Artists Ball. Now in its fifth year, the event honored outgoing Museum Director Arnold Lehman as well as artists Takashi Murakami, Kiki Smith and Jean-Michel Basquiat, as represented by his family, all of whom have made a lasting and profound impact on the Brooklyn cultural community specifically and New York as a whole. SITU was one of eight practices – all of whom are Brooklyn based – invited to design and install environments and tablescapes for the one-night-only event. On April 15th the Museum’s Glass Pavilion, Lobby and Beaux Arts Court, were transformed into an immersive experience replete with models donning crocheted garments to large papier-mâché iterations of food dangling from the center of the court space creating an overall environment that was as much a visual feast as fête.

Tasked with the challenge of producing a dynamic intervention in the Glass Pavilion, SITU welcomed the invitation as an opportunity to experiment with a fabric installation. SITU worked with a variety of industrial and construction grade nets often used to protect sites from falling debris and ultimately settled on shade netting found in agricultural applications. The material, a woven aluminum screen typically stretched horizontally, in this instance is instead hung vertically. Functioning as a progression of light-filtering layers, the installation both reflected and transmitted event lighting choreographed by Ken Lapham in dynamic and playful ways.

 Timelapse of SITU’s installation IllumiNetting in the Glass Pavilion.
IllumiNetting’s light-filtering layers capture the festive mood in the Dance Party space. Photo by Keith Sirchio

From street artists to set designers and everything in between the Artists Ball featured works by Duke Riley, Faile, Fernando Mastrangelo, Jen Catron & Paul Outlaw, Olek, Dustin Yellin and Pioneer Works inviting the 750 guests to dine among battleships (Riley), crocheted tablecloths, (Olek) cheese wedges and turkey legs (Catron & Outlaw) to name just a few. Guests at Faile’s table, the work of artists Patrick McNeil and Patrick Miller, donned sunglasses to protect their eyes from the bright lights of the designers’ massive illuminated comic strip table.

Crocheted artist Olek’s tablescape draws inspiration from the work of honorees, Murakami, Smith and Basquiat.
Photo by Liz Ligon courtesy of the Brooklyn Museum
photo (9) Jen Catron and Paul Outlaw – perched high above guests – enlivened the dinner with their over-sized food.

A night to celebrate Arnold Lehman and everything he has contributed to the Brooklyn Museum, the Borough and far beyond, it was a special evening and a snapshot of the impact he has made over his seventeen years as Director.

Recent press about the event can be found here:


Town and Country

Design Leadership Summit 2014: Design Build in Brooklyn


SITU was invited to this year’s Design Leadership Summit to speak on a panel moderated by Anne Hellman-White, author of Design Brooklyn. The video of the “Design Build in Brooklyn” conversation with SITU partner Brad Samuels, Daniel Husserl (Uhuru), and Jeff Sherman (Delson/Sherman Architects) may be viewed here.

Held at Industry City in Sunset Park, the panel discussed working as designers and makers in Brooklyn. All three panelists spoke about the importance of establishing a practice in a creative community with the resources to collaborate with expert craftsmen, artisans, and designers who support local manufacturing. Industry City provides an excellent example of the ways in which businesses are growing in proximity to one another. In doing so, designers are finding ways to innovate by sourcing community talent, utilizing efficient technologies, and producing experimental design work.

The Design Leadership Network hosts a yearly summit to bring design principals and professionals together for purpose of building relationships, learning, sharing ideas, and growing together as a community.

Unven Growth: The Other New York

The Other New York, 2014. Design by SITU Studio, Video produced and directed by Brooklyn Digital Foundry.


SITU’s work for the Uneven Growth exhibition – which opens to the public this Saturday November 22nd at The Museum of Modern Art – focuses on the informal component of New York City’s housing market and seeks to place it squarely within conversations about affordability. The condition of unevenness in New York is distinct from some of the other cities featured in the show in that it is often concealed from view – at least with respect to housing.

Our contribution to Uneven Growth addresses the hidden density of New York’s informal housing not by trying to shift residents elsewhere, but rather, by proposing a way for communities to thrive within the neighborhoods they already inhabit. By focusing on tactical interventions, additions and renovations of existing housing stock, we envision a landscape of accretive architectural proliferation that populates rooftops, backyards, industrial buildings and other available spaces.

Taking this vision even further, we also propose a new mixed-use, mixed income infill building typology that provides a direct link from the public street up to the new roof-scape and behind to courtyard spaces. Facilitated through a novel financing model that aims to energize nearby urban hubs while also supporting local transportation and other infrastructural investments, a new form of incremental growth is catalyzed to produce a more equitable New York.

Uneven Growth: Community Growth Corporation (CGC)

The Community Growth Corporation, Jesse M. Keenan, MAS Summit 2014

As part of its research for the Uneven Growth project, SITU worked with Jesse Keenan of the Center for Urban Real Estate (CURE.) to propose an ownership and development model focused on capturing the value of unused air rights in the service of funding affordable housing.  In addition to working closely with Jesse, the Furman Center’s guidance and work on Transferable Development Rights was an essential component of this research.  This post focuses on SITU’s strategy for unlocking development rights as one approach to addressing the affordability crisis in New York on a localized level.  The CGC proposes a scenario where underutilized urban spaces could be opened up to a new type of incremental growth facilitated through neighborhood based organizations called Community Growth Corporations. In the below video, Jesse Keenan explains the principles and mechanics of the CGC at this year’s annual Municipal Art Society Summit.


CGC1. Redistribution of FAR in the outer boroughs.

The Community Growth Corporation (CGC) is a hypothetical development model meant to align social and financial capital in a way that allows for the preservation of affordable housing and the creation of community-driven neighborhood projects. The mechanism for capitalization is a public auction of excess floor area ratio (FAR) within a community that would otherwise go unused, or where the cost to build to the FAR outweighs the benefit of added interior space. Excess FAR is then exchanged for a share of the CGC. Altering the existing regulations so that FAR is no longer restricted to contiguous properties, but instead can be aggregated – forming new kinds of development– both low-rise affordable housing or higher rise mixed-income developments in adjacent neighborhoods that are suited for denser development (Image 2).


20141114_CGC44. Intra-borough Receiving and Donating Zones.

“Receiving Zones” are identified as areas that are capable of accepting increased density due to the availability of space as well as existing access to transportation infrastructure. “Donating Zones” are identified as areas that are currently over-populated and are severely rent-burdened, meaning that on average households spend more than 50% of their income on housing. The transfer of FAR between the two zones can only occur if they are adjacent.


20141114_CGC33. FAR Bank and redistribution of FAR

By exchanging excess FAR for shares in the CGC, landowners of properties with affordable housing receive modest investments returns that must be used to renovate or further develop the property. These returns are attached to the property itself rather than its owner in order to ensure that investment in affordable housing is continual, especially in neighborhoods that are already over populated and rent-burdened. All residents are able to gain shares in the CGC, regardless of whether or not they are landowners, through “sweat equity” – participating in street and public space improvements, engaging in senior care activities, coordinating transit pools, etc. Returns for these CGC shareholders come in the form of unit renovations or as rent credits, ensuring the advancement and quality of affordable housing.


20141114_CGC64. Participation in the CGC.

A CGC web interface would allow shareholders and community members to manage how their returns are both distributed, personally and within the larger community. A portion of yearly returns would be allocated to community developments ranging from schools to bike lanes and the interface would allow community members to participate in the decision-making process.

The CGC is predicated upon the commodification and a redistribution of the public asset of the right to build to ensure another right – a right to housing.

Uneven Growth: The American Community Survey (ACS)

All121. 2012 American Community Survey Information. Median age, median income, median rent, percent Black or African American, percent Asian, percent foreign born, percent Hispanic or Latino, percent senior citizens, percent vacant residential units, percent White, percent under 18, median commute via public transit.

This entry marks the second in a series of blog posts on research conducted for The Other New York, SITU’s contribution to the MoMA exhibition Uneven Growth. In the prior post we focused on a largely hidden and unaccounted for component of the housing crisis in New York City. Here, we look into the metrics that can shed some light on the household composition of illegally converted dwellings – spaces that are by definition hard to document. Working in collaboration with Citizens Housing and Planning Council and using their Making Room Household Model, SITU visualized data from the American Community Survey with respect to housing demographics. This study was instrumental in identifying neighborhoods that would become the focus of our design strategy and proposal for the Uneven Growth exhibition.

Politicians and researchers have argued that in the most recent decennial census, conducted in 2010, New York City’s population was undercounted by upwards of 50,000 and perhaps as high as 400,000 people.  Much of the discrepancy is believed to have occurred in communities within the boroughs of Queens and Brooklyn – vibrant neighborhoods such as Astoria and Jackson Heights, Bay Ridge and Bensonhurst – that experienced high population growth between the 1990 and 2000 census. An undercount of this magnitude results in a wide gap between community needs and city funding for key initiatives such as affordable housing and transportation – calling into question the accuracy and practicality of the decennial census.

The American Community Survey – an annual supplement to the decennial census – captures vital information cities such as New York need in order to determine long-term planning and financial decisions.  Think of it as a yearly physical for the government – a check-up for how well it is serving the American population.  Information obtained through ACS correlates with the long-form survey on the decennial census; yet because it is administered yearly, changes in housing characteristics and demographics are more easily traced than by simply referencing the decennial census.

Wall3Edit2. American Community Survey housing demographic information. Source: NYC Citizens Housing and Planning Council, “2012 American Community Survey, using CHPC’s Making Room Housing Model” (2012)

For Uneven Growth, SITU worked with the CHPC to visualize data from the American Community Survey with respect to housing demographics. The above diagram shows the 13 neighborhoods in New York City with the highest rates of shared spaces per 2012 ACS data. When superimposed on the map to show locations of reported illegal conversions (in blue) a correlation can be seen between concentrations of informal housing and shared living conditions. Citywide, only 17.65% of housing units are occupied by what the Census Bureau considers “nuclear families.”  However the City’s housing stock consists largely of 2-3 bedroom apartments with a “master bedroom.” This disconnect between demographics and existing typologies provided an important starting point for our exhibition research. Overall, the percentage of singles living alone is 31.4% and the percentage of housing units that are shared either with or without family members is 25.4%. Given these trends, SITU focused on strategies dedicated to realigning living space and demographics realities by focusing on the needs of individuals living alone as well shared housing arrangements.  In this sense, The Other New York focuses on a model of incremental growth and flexibility in the type of housing stock as a direct response to the shifting demographic trends within neighborhoods expressed in the American Community Survey.

Uneven Growth: Invisible New York

As part of the research conducted for the upcoming exhibition Uneven Growth that opens later this month at The Museum of Modern Art, SITU looked into the role that illegal conversions play in the ecology of the New York City housing market. Below are some findings – first written by SITU for MoMA’s Post blog and reproduced here.


A curtain divider creates a bedroom out of a living room in this apartment in Flushing, Queens. This one bedroom apartment is shared by a mother, her son and an elderly unrelated couple. Jeyhoun Allebaugh, 2014.


Governed by a unique “Right to Shelter” mandate, New York is distinct from other municipalities across the U.S. in its legal provisions for temporary housing assistance. While this constitutional right may provide some relief for homeless New Yorkers, the extra-legal reality is that the cost of shelter has forced far greater segments of the City’s population into informal housing markets – a condition that is at once pervasive andhidden.

Even though housing in New York is rarely compared to conditions found in cities like Mumbai or Rio, one simply needs to scratch the surface in order to find the varied informal financial, social, and spatial networks that live in the shadows of New York City’s legal frameworks. Evidenced by cash-based economies, strained infrastructure, or illegally converted dwellings, much of the populations operating in these zones are poor and often concealed from view. Unlike many other parts of the world – where density is on view and a central part of policy, planning, and design discourse – a distinguishing characteristic of the informal housing market in New York is the interiority of its condition.

Because this segment of New York’s population is packed into housing stock that is completely at odds with contemporary demographic realities, the informal markets have carved up and occupied the interiors of the city in order to create viable housing options. Concealed within the City’s seemingly endless rows of apartment buildings, townhouses, and high-rises is a network of typologies that have adapted, subdivided, or converted existing spaces to accommodate the growing number of those who cannot find a place within the formal housing market. Existing somewhere between the designation of “homelessness” and the “lowest income” of the affordability ladder, this population works in the lowest paid jobs. Most frequently they are employed in the service sectors providing the support necessary to keep this so-called ‘luxury city’ upright and thriving.

While it is precisely these informal networks that most readily propagate the evidence of uneven growth in New York, it is, by definition, a condition that resists measurement. The Census conducted by the City of New York in 2010 yielded highly contentious results – by some measures undercounting by 200,000 people. These omissions were particularly acute in parts of the outer boroughs with the highest concentrations of illegally converted apartments. Whether the evidence is anecdotal or gathered by virtue of proxy indicators (i.e. utility consumption per square foot or Building Department violations), it is certain that the informal housing market is pervasive in certain neighborhoods in Queens, Brooklyn and the Bronx. This reality points to the fact that the quality of life that so many New Yorkers have become accustomed to relies upon the services provided by a sizable population whose presence is rarely acknowledged or discussed. The network of Three Quarter houses, cellar units, illegal subdivisions, and flophouses that constitute this foundation conceal a significant number of citizens. In their invisible state, they are left out of the discussions, policies, and design decisions that shape the city in which they live.


I. Riis

Jacob August Riis, Family in room in tenement house, ca. 1910. Gelatin silver print. From the Collections of the Museum of the City of New York.


A quiet and persistent reality, New York has long been reluctant to betray its interior. In the late 19th century, a Danish immigrant and activist named Jacob Riis leveraged the then nascent technology of the tungsten flash to document the conditions of the City’s most vulnerable populations – those living in tenements on the Lower East Side of Manhattan. Compiled in his seminal work, How the Other Half Lives, Riis’ photographs revealed the realities of some of New York City’s more abhorrent housing conditions. This act of documenting and exposing the City’s informal ‘underside’ to the wider public, allowed Riis to demonstrate that amidst the prospering urban population was an integral but invisible city with unmet and unacknowledged needs. The most remarkable legacy of this work is the social reform movement it catalyzed, which ultimately led to the first significant US legislation addressing tenement house reform. Despite having been undertaken over a century ago, Riis’ project remains more relevant than ever as the same conditions of hidden density persist across the City today. At an inflection point between two NYC administrations with very different agendas, Riis’ work remains contemporary – a precedent for rendering visible a reality pervasive, yet hidden.


II. Illegal Conversions

311 New York City service complaints (from 2010 to Present) reporting illegal conversions of residential building/spaces. Source: New York City Department of Buildings


Because of its very informal nature, it is extremely difficult to quantify and geographically document instances of illegal conversions. Late last year New York City publicly released 200 data sets through the online NYC Open Data portal. A constantly growing source of metrics about the city, few of these data sets help to reveal what is actually going on behind the buildings’ facades. One exception that does speak to the existence of an informal housing market is the 311 Service Requests data set that provides users with enough information to parse out occurrences of illegal conversion complaints. While information related to these complaints – such as whether there was a confirmation of a conversion or what kind of action was taken – is still not available, the data provides a notional, if incomplete, picture of neighborhoods where informal housing markets are concentrated. The visualization provided here shows a so-called heat map that indicates the areas in question. Represented by concentrations of bright blue, this map reveals that the majority of the “hot spots” occur in the outer boroughs, particularly, in the more remote sections of Queens, such as Jamaica, Elmhurst and Jackson Heights, where large numbers of first generation immigrants live.


III. Cellars

Entryway, cellar apartment in Woodside, Queens. Photo: Jeyhoun Allebaugh, 2014.


In New York City, a legal distinction is made between cellars and basements (the former is defined as having more than half of the unit’s height below curb level). At odds with both zoning and building code, most of these units are illegally occupied in high density neighborhoods, where housing options above ground are often not viable for recent immigrants with precarious financial and legal circumstances. While accommodating the city’s growing population at affordable rates, cellar units also help homeowners pay their mortgages. Yet, because cellar units are illegal under current regulations, tenants residing in them cannot claim basic housing rights. Certain cellar units have inadequate egress and ventilation which make them unsafe to occupy. Still, the appropriation of these spaces, while perhaps less than ideal, offers a much needed affordable option.

With assistance from Chhaya CDC, a housing advocacy organization dedicated to working with South Asian communities in Queens, we were able to gain access to document a cellar apartment in Woodside that was rented by a Bangladeshi family. The son, photographed here, currently attends Queen’s College, and lives in the unit with his father, a taxi driver. Shortly after these photographs were taken 7 additional family members from Bangladesh arrived to live in this apartment as well. According to current housing policy, this apartment—and thousands of others like it New York—are illegal, making their residents vulnerable to forced eviction at any time. As Chhaya has argued and campaigned for, there is much room for policy change to incentivize renovations that would allow the formerly illegal units to be safely brought to code. This can be done by introducing alterations such as a second means of egress and meeting minimum requirements for air, light and sanitation.


IV. Three-Quarter Houses

Pairs of bunkbeds occupy each bedroom. Three-quarter house in East New York, Brooklyn. Photo: Jeyhoun Allebaugh, 2014.


Three-Quarter houses offer housing to single adults under the model of supportive programs. Tenants who turn to these Three-Quarter houses for help are often returning from prison, short term hospital stays, drug treatment, or are suffering from family crises and cannot afford housing on the formal market. So-called Three-Quarter houses are generally one and two family houses or (more rarely) large apartments that rent out individual beds. While government agencies indirectly fund them, these apartments are often abandoned by the landlord or management and left unregulated and overcrowded. Without the proper oversight theses houses often fail to provide the promised services that the at-risk tenants need in order to transition into independent living. Instead, unlicensed and under maintained Three-Quarter houses often charge people with no alternative housing options for a bed in overcrowded, poorly maintained or even hazardous spaces. Meanwhile, residents are often unlawfully evicted if they refuse to comply with the house rules.

The tenant in the house pictured explained to us that the management company has abandoned the property leaving occupants to run it more or less on their own. The landlord has failed to pay the electricity bills for over a year, leaving the entire second story of the house without power. As a result, the tenants occupying this level were left with little choice but to reside there while looking for support and representation from the outside. The tenant, one of nine in the apartment, is a client of MFY Legal Services – an organization that provides pro-bono legal counsel. MFY assisted us in gaining access to document this apartment.


V. Flophouses

Michael Fidler, 66, originally from Brooklyn, has been living in this cubicle in the Sun Bright Hotel at 140 Hester Street for 11 years. The accommodations there measure 7 by 5 feet. Photo: William Farrington / Polaris


Relics of the tenement houses that Riis photographed more than a century ago, flophouses remain a fixture across the City. Flophouses are temporary residences where tenants generally pay less than $10 a night in order to sleep in tiny spaces where ceilings are often missing, bathrooms are shared, and ventilation is poor. Flophouses might take the shape of motels, SRO’s (single room occupancies), or other dormitory style housing. A typology concentrated in Chinatown and the South Bronx, these spaces frequently house single adults – a growing demographic within the city that crosses socio-economic boundaries. Flophouse tenants possess little-to-no privacy, housing stability is largely absent, and building conditions deteriorate with lack of oversight and regulation. However, with few viable affordable alternatives for single room occupancy housing, these spaces provide workforce housing to those who continuously sustain New York. Former Mayor Michael Bloomberg has, on more than one occasion, affectionately referred to New York as the “Luxury City.” This characterization, perhaps inadvertently, points to the primary role that the service sector plays in the everyday functioning of this city. Rendering visible and acknowledging this condition as a defining characteristic of New York is an essential starting point towards addressing the severity of inequality. New York’s current Mayor, Bill DiBlasio, was elected, in large part, because of his focus on addressing what he has called “Two New Yorks” and has made inequality in general and housing in particular central issues in his rhetoric during the first year of his administration. The informal housing market is just one of many symptoms of this unevenness, but it does provide a point of entry, a tangible manifestation of the extreme polarity that so defines New York.


VI. Shared Spaces

Two young couples and their four children share a two bedroom apartment with another single individual in Jackson Heights, Queens. Patrick Mandeville, 2014.


Existing housing stock in New York is often at odds with the demographics it hosts. Many newly arrived immigrant families move in with relatives or other families with already established networks. To accommodate the newcomers, existing families subdivide their homes, creating new, affordable housing options. While it is a condition that can be found city-wide and across architectural typologies, one of the most striking manifestations can be found in parts of Queens amidst concentrations of single and two-family detached residences. Originally designed for the nuclear family, these spaces now frequently serve multiple families at a time, often constituted of multi-generational households. This density, ensconced within spaces designed for idealized familial units of past eras is ubiquitous, if hidden from the street, in many parts of the City.

Two young couples and their four children share an apartment with another single individual in Jackson Heights, Queens. In this two bedroom apartment, the living room bathroom and kitchen function as communal spaces hosting synchronous and shared activities.

In another space documented in Flushing, Queens a rental unit is shared by residents who have subdivided using a curtain to create divisions within the living room space. This apartment is shared by a young Korean-American man and his mother who rent out their one bedroom to an elderly unrelated couple. Minkwon Center for Community Action, an organization dedicated to doing advocacy and legal work on behalf of the Asian-American immigrant communities based in Flushing, helped us gain access to document this space.


A shared and sub-divided apartment in Flushing, Queens. Jeyhoun Allebaugh, 2014.

‘Making Design Lab’ Documentary

Our documentary Making Design Lab will premier this Friday October 17th at the Architecture and Design Film Festival.

Making Design Lab is a short documentary that follows our team as we design, fabricate, and install the new 10,000 sq ft permanent exhibition space at the New York Hall of Science. Design Lab is a series of five activity areas designed to host an array of STEM and project-based learning activities. Conceived of as sites to foster and promote problem ideation, tinkering, testing, and displaying results – the architecture of Design Lab is intended to be integral to the types of critical discovery and making that is so crucial to the design process.

Our short will be presented as part of the ‘Maker’ program at the film festival, screening just before the feature length film Make, directed and shot by Mu-Ming Tsai. We are excited to present our short and to engage in discussion with other festival participants. Please find more information about the program and the Architecture and Design Film Festival here.

Making Design Lab will be showing at Tribeca Cinemas on Friday October 17th at 6:15 pm and Sunday October 19th at 3:15 pm.

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